Last week’s Week.

Good characters to paint this time. I couldn’t go crazy on the caricatures of course, but was still doing some exaggeration. As it turned out, this was a beast to do. As you can see through the approval process things seemed to go smoothly until I turned in the final somewhere around five in the morning. I got a call from the editor asking for some changes as delicately as possible. My depiction of surgery was about to get some surgery.

Pencil underdrawing
Pencil underdrawing
Photo Shopped color over the drawing to show the art director where I was going to go with the color.
Photo Shopped color over the drawing to show the art director where I was going to go with the color.
Final painting with a bit of PS tweaks.
Final painting with a bit of PS tweaks.
Chief Justice John Roberts
Chief Justice John Roberts
Antonin Scalia
Antonin Scalia
President Obama
President Obama
Final. Really.
Final. Really.
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Monday post

Hello it’s Monday. Today I went in to The Week Magazine for my next cover assignment. We’ll see what we have Friday. I have to turn it in on Wed. I hope I can make it into something good. 3 specific figures this week. I thought last cover was going to kill me with 5 figures but fortunately they weren’t anyone in particular. I think I left with enough reference to get it done. Occasionally I’ll be chugging along and realize I’m missing a detail so I’ll blow an hour or two trying to find the right reference. When I’m doing that I usually have a little subconscious clock in my head ticking off how much less sleep I’m about to get!

This is from a while back. For the Village Voice.

Broadway awards issue for the Tonys.
Broadway awards issue for the Tonys.
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Times are changing

More and more The Week asks for more accurately depicted images. I seem to get less clients asking for a real caricature anymore. I wander if it’s reflecting the attitude of the public? or if it’s just how we are perceiving what the average person should think? I observe that in the past the media, specifically television, would overly influence people’s opinion when there were only a few networks monopolizing the TV. Then cable came out and offered a different option. Then the internet, and now social media. There is so much input coming at us now it’s like being hypnotized and anyone in the audience can suggest we act like a chicken.

How we treat our heroes.
How we treat our heroes.
Terminally ill woman wants to move to a state where she can die with dignity.
Terminally ill woman wants to move to a state where she can die with dignity.

Comedy clubs used to be a place comedians could put out any absurd or stupid or thoughtful idea our minds could imagine. George Carlen, Bill Hicks, Sam Kinison, Andrew Dice Clay, there were so many people saying fantastic and horrible things existing in their own bubbles and you could visit the bubble as you pleased. Cell phones have ruined this to a degree. People can’t see things in the context they were said. We’re all in the same room now. So it’s a bit telling (sad?) that the covers I’m making for The Week are showing people not listening to scientists but instead going listening to emotion. Doctors being treated like criminals after trying to help save the world and our country from a plague. People disagreeing with a person’s decision to end their life on their own terms and not some deadly disease’

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Friday doodle

He wasn’t just any man, he was a man who wore a hat! Never mind that his eyes were so sunk into his skull he was looking through two tunnels at the world outside his hatted head. There was a presence within that he was barely aware. It was a turbulent tornado that tried to breath in and out through every pore as if trying to stretch all of them out simultaneously so as to be able to let itself out all at once unhindered or let more of this darkness in? Was it even dark? He couldn’t say. He didn’t say much. He wasn’t in control of this dark wind inside and yet it didn’t control him, but he was always apologizing for blowing the hats off other people that got too close.

Man with a hat on his head.
Man with a hat on his head.
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Drawing in a coffee shop

I began the drawing in a bar that was actually playing AC/DC, Aerosmith, and Motorhead. I had drawn Lemmy from Motorhead a few months ago as a warm up at a coffee shop in SoHo before seeing a gallery show at Arcadia Galley. “The Ace of Spades” came on the jute box (are they still called that?) Maybe my hearing is bad and I just always heard the wrong word. Inspired by the energy in the song I began doing a doodle. At first I was thinking “rock pose” kind of a cliche’ Axel Rose from Guns and Roses mixed with Metallica. This was my era of music influence in the mid to late 80’s. I ended up picturing Lemmy though, so the hat and iron cross got in there. I think the long hair was/is a standard. I didn’t use any reference except whatever was floating around in my head.

Cartoon
Cartoon
Kilmeister
Kilmister
"The Comet" Your bonus comic strip. Also done in a bar.
“The Comet” Your bonus comic strip. Also done in a bar.
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Cover for The Week

 

Hands up
Hands up

What a turbulent time we live in. When I made this illustration, the details were still coming out. At that time the story was, cop shoots unarmed teen. The police department’s response was just one insulting thing after another which infuriated the residents and there was a peaceful march. I think for the purpose was to vent their rage.

Every march I’ve seen whether live or on video, it seems imbalanced. I saw Occupy Wall Street on it’s second day. I thought it’d be over within a week or so. They looked like a bunch of kids on a field trip to NYC that couldn’t get a room in a hotel. The protest was really waning and almost over after two weeks. Then on one of their little marches up to Union Square a white shirt police officer pepper sprayed some young girls who were already pinned up, or “kettled” against a wall with officers containing them with plastic orange fencing. The video showed them just yelling, not trying to¬† resist. I never would have seen the footage if they hadn’t been pepper sprayed. Occupy doubled it’s size each week after that becoming a national story. Two years after Occupy was “cleaned out”, the banks, the Stock Exchange, the NYPD etc. are just relaxing their security presence in the area.

Within a month after the pepper spray the NYPD had pulled out all it’s toys. Surveillance cameras on mobile cherry pickers, cop cars parked everywhere, officers surrounding the parameters of Zuccotti Park. And it kept going with sound cannons, and what looked like armored cars, and helicopters. About 3am or so every night the fire dept or sometimes the cops would pass the park and hit the sirens so the protesters couldn’t sleep. This is just what I observed.

A really interesting thing that happened after the first clash in Ferguson was the powers that be sent a black officer, unarmed, to face the crowd with all their military looking police equipment pulled back. By the end of the day everyone was BBQing. No violence.

I’m no expert on the Constitution, but I do remember something about freedom of assembly. The people still needed to vent again. Instead of letting them, the police showed up again with their guns drawn and tear gas, and of course violence came out again.

I could elaborate for a while but I think the point is there. I put it on the police for escalating things. They need to learn some different responses to crowds. I can only conclude they like things to get out of hand because as a group they are a bunch of violent prone people carrying guns and this will happen again.

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